The Self-Reliance Project

The Self-Reliance Project is a daily essay about what it means to be a maker during a crisis—to think through making, to know yourself better through the process of producing something—and how this kind of return to self-knowledge might just be the entire point.

It’s title comes from the 1841 essay on self-reliance by the American writer Ralph Waldo Emerson, who wrote with astonishing clarity about the perils of conformity and consistency, about what it means to follow your mind, trust your instincts, and listen to your heart.

So for now, stay well, stay home, and do your work. But don’t just take it from me. Take it from Emerson.

Do your work, and I shall know you. Do your work, and you shall reinforce yourself.

Self-Reliance
Emerson’s text is widely available to read online, but this new Volume edition—designed by Jessica Helfand + Jarrett Fuller—elevates his wisdom through the printed word. With twelve essays from Jessica Helfand’s Self-Reliance Project: order your copy today!




Jessica Helfand
On Whispering
Looking. Listening. And Lessons from Quaker Meeting.


Jessica Helfand
On Learning
What resonates most unequivocally here is Emerson ’s plea for individuality—that iron string—the sovereignty of selfhood.


Jessica Helfand, De Andrea Nichols
On Activism
A starting point for a new kind of dialogue—us with you, and you with yourself—because even and especially in a year such as this one, we know that at the core of all creative enterprise lies a singular, beating heart.


Jessica Helfand + Sara Hendren
On Ablerism
What does it mean, right now, to be self-reliant—to trust your voice, heed your mind, and connect to your own sense of what really matters?


Jessica Helfand + Noreen Khawaja
On Philosophy
Noreen Khawaja and Jessica Helfand talk about the philisophical nature of self-reliance.


Jessica Helfand
On Seeing
Rethinking a color. Awakening the senses. And soldiering on.


Jessica Helfand + Claire Weisz
On Architecture
Herewith, the first in a series of conversations with artists, architects, photographers, cinematographers, designers and makers of all kinds, from all over the world.


Jessica Helfand
Remembering
Visual memories sear themselves into the unconscious, bearing down and not letting go.


Jessica Helfand
Storytelling
We tell ourselves stories in order to live.


Jessica Helfand
Discerning
Sometimes you have to unlearn the constellations to see the stars.


Jessica Helfand
Making
Real makers produce against all odds: ever evolving, all of it work in progress


Jessica Helfand
Feeling
To feel fragile is to feel human, which is to recognize your inherent vulnerability, not your presumed invincibility.


Jessica Helfand
Observing
Observing is truth-telling. It’s not a picture postcard, or a gilded lily.


Jessica Helfand
Pretending
The faking of feelings is a sin against the imagination.


Jessica Helfand
Sharpening
As an isolated activity, sharpening’s got its own powerful syntax. It’s the art of paying attention.


Jessica Helfand
Missing
Ambiguous loss is the loss we can not see, just as it lingers in the closure we can not find.


Jessica Helfand
Tracing
Tracing is a way to think in stages, and seeing those stages pulls you along in your thinking.


Jessica Helfand
Animating
As an artistic practice, animation is a process of aggregation. But as a life practice, to animate is to awaken.


Jessica Helfand
Helping
It’s time to pierce the routine of the everyday. What else is there to know?


Jessica Helfand
Waiting
To wait inside is also a chance to go inside—and stay there for awhile.


Jessica Helfand
Admitting
Productivity is a tonic for loss—not a replacement for it—and the work of reconstruction is always brutal.


Jessica Helfand
Assimilating
What becomes of public space when we’re absent from it—when our familiar human constellations cease to exist?


Jessica Helfand
Dreaming
Dreaming is how we allow the unconscious mind to improvise.


Jessica Helfand
Reading
Reading is one of life’s great indulgences, even (and especially) if you are stuck inside.


Jessica Helfand
Generating
The studio is the seed lab: it’s where we realize that practice is at once speculative, iterative, and generative.


Jessica Helfand
Reciprocating
Reciprocity is not binary—it’s fragmented—like people are, and like life is.


Jessica Helfand
Turning
Turning is a deliberate and conscious act: it’s how we express attentiveness.


Jessica Helfand
Walking
Walking is a form of creative trespassing, like tourism for the psyche.


Jessica Helfand
Responding
Responses are reactions, and reactions demand attention.


Jessica Helfand
Distancing
Will social alienation make us a socially alien nation?


Jessica Helfand
Surrendering
Surrender is the art of uncertainty: it’s the practice of giving in, not giving up.


Jessica Helfand
Sheltering
Shelter is not so much a gesture of imprisonment as an invitation to dream.


Jessica Helfand
Canoeing
What is an actor without an audience? A person—that’s what.


Jessica Helfand
Burning
To read a poem allows you to visit words, the same way you might, say, go to a museum to visit a particular painting.


Jessica Helfand
Recalibrating
To measure your worth against what life looked like until last month is a fool’s errand.


Jessica Helfand
Longing
Wanting what is not possible—no matter how you define your object of desire—is a recipe for disappointment.


Jessica Helfand
Listening
Sound cuts right through you and tells its own story—whether you like it or not.


Jessica Helfand
Reflecting
Photographs like these are trenchant reminders about who we are as a people.


Jessica Helfand
Harvesting
What kind of work would you make if you thought no one was looking?


Jessica Helfand
Breathing
Breathing is one of those things you take for granted. Until you can’t.


Jessica Helfand
Looking
What it means to be a maker during this pandemic.



Observed


At The Design Museum in London, a more "rainbow-hued version of the Barbie universe". 

Right-leaning public interest groups have filed a barrage of federal lawsuits intended to dismantle long-standing corporate and government programs that consider race in job placement. With an alleged goal of “complete race neutrality” (a view of radical equality that, for example, lawyers for the Wisconsin Institute for Law and Liberty think is “in line with the Declaration of Independence”) litigants are chippping away at the use of affirmative action across America.  

As we wind down Pride Month 2024, a look at how queer theory apples to urban design: as theory and practice grows more empathetic towards the needs of its diverse stakeholders, queer urban design brings a broad and holistic shift to understanding identity and community in publicly inhabited spaces, challenging traditional (and often rigid) methods of city planning by applying more inclusive criteria to reflect fluidity and interconnectedness. 

Longevity, by Design: Apple has published a 24-page document outlining its key principles for designing hardware that endures.

Manchester City released a brand-new club font to use on the player’s shirts. But instead of tapping the skills of renowned typeface firms who routinely work with sports teams and brands, the Premier League champions asked former Oasis rocker Noel Gallagher to submit a brief. So he did! And the crowd went wild.

Designer Vivienne Westwood’s personal wardrobe goes to auction.

The UK's Design Council has announced a plan to upskill one million designers for the green transition by 2030. Their report, A Blueprint for Renewal: Design and Technology Education, was published with a group of 20 design and education organizations. 

The Peabody-award nominated audio documentarians at Scene on Radio have just dropped CAPITALISM. A full season, a dozen or so episodes, exploring the world's dominant economic system -- how people shaped it over time and what to do about it now that more and more people see capitalism as the problem, not the solution. Produced by host/producer John Biewen with co-host Design Observer’s Ellen McGirt and story editor Loretta Williams, among other amazing collaborators.  The trailer is here; find it wherever you get your podcasts.

Speaking of AI, Kevin Bethune would like a word with Adobe. 

#Config2024: Figma announced a significant redesign, including new features and AI tools designed to help simplify the user experience. And, in case you were wondering, “All of the generative features we’re launching today are powered by third-party, out-of-the-box AI models and were not trained on private Figma files or customer data,” writes Kris Rasmussen, Figma’s CTO

Designed by PearsonLloyd for Teknion (a family-owned business with an environmental conscience and an international reach) Aarea is a chair that unites the concept of circularity and the simple reality of human needs: intuitive and ergonomic in use, it is made with a minimum of components and materials.

Old news: Apple rejected — “spurned,” actually —a proposal to integrate Meta’s AI chatbot with iOS “months ago,” says Bloomberg. Get a room already, gah.

It only touches the ground in six places: how to build a house that sits lightly on the land.

Graphic designer and artist Ming Hsun Yu is on a quest. “I explore human experience, metaphors and questions through graphic methods,” they say, “seeking possibilities within structures, fluidity between dualities, and constant joy.”

Forbes has accused Perplexity, an AI-powered search/chatbot startup, of stealing their content. The service describes itself as being able to provide “concise, real-time answers to user queries by pulling information from recent articles and indexing the web daily.” A new Wired investigation shows that it does that, in part, by surreptitiously scraping parts of the web that are deemed off-limits by operators. Wired also observed this: “[While Perplexity] is capable of accurately summarizing journalistic work with appropriate credit, it is also prone to bullshitting, in the technical sense of the word.”

Civil rights attorney and jazz pianist (!!) Bryan Stevenson has teamed up with jazz legend Wynton Marsalis and the Jazz at Lincoln Center Orchestra to release Freedom, Justice, and Hope, a live performance album of historic jazz records created to protest racial injustice. It’s streaming now.

The Vatican was forced to apologize “to those who were offended” after Pope Francis used a homophobic slur in a closed-door meeting. Then, two weeks later, he allegedly used the term again. While it deeply disappointed LGBTQ Catholics and their supporters who had been encouraged by his inclusive signals, attendees of this year’s Pride parade in Rome pointedly reclaimed the term and made the Pontiff the unexpected star.

Happy Pride: the new Stonewall National Monument Visitor Center is set to open

The annual design confab that is Config goes live June 26 and 27! Tune in online as acclaimed filmmaker, actor, and photographer Spike Jonze joins Ellen McGirt, editor-in-chief of Design Observer, as they explore the art of taking creative risks, facilitating unconventional collaboration, and navigating the future with AI. June 27th at 5:10pm Pacific Time; find the full agenda here.

De.fault is a recommendation engine built to reduce bias and broaden horizons. intentionally providing de-personalized information to enlarge our perspectives and counteract filter bubbles, ideological rigidity, social anxiety, and increasingly addictive and toxic content. Designed by Yoonbee Baek, De.fault is also the recipient of the 2024 Core77 Design Award for Best Speculative Design in the student category.

In stripping objects of all but their essential elements, the Shakers not only exposed the elegance inherent in even the most humble of items but also reinvented the concept of beauty itself. With its emphasis on durability, functionality, and timeless minimalism, Shaker design has had a profound effect on generations of artists, architects, and designers. (“Do all your work as though you had a thousand years to live,” urged Shaker leader Ann Lee, “and as you would if you knew you must die tomorrow. ) Now, they have their very own postage stamp.

At MIT on June 27—Designing With, Not For: a conversation between Richard Perez, founding director of the Hasso Plattner School of Design Thinking at the University of Cape Town; Amy Smith, founding director of the MIT D-Lab; Surbhi Agrawal, 2022 MAD Design Fellow, urban planner, and data scientist at Sasaki; and Aditya Mehrotra, instructor of Mobiles for Development at MIT. This event is part of this year's Design Research Society (DRS) conference, on the theme of recovery, reflection, and reimagination.

Multi-Species Worlding is an experiment, for no more than twenty people, into the felt perspective of another species, in which participants will practice speaking as that species, and build shared worlds that serve all of life.  This workshop brings together multi-species artists, architects, researchers, storytellers, communicators, educators, entrepreneurs, designers, and anyone curious about co-creating worlds where all species thrive. 

Coming this fall, join a pivotal gathering of minds from Italy, Netherlands, Ireland, UK, China, Kenya, Germany, Denmark, Turkey, Brazil, Canada, Mexico, Poland, Spain, Finland, Hong Kong, and the United States for Designing Nature and Humanity-Centered Future,  at ISMAT Portimão (in Portugal's Algarve) from 8 to 11 of October. Interested? You have until the end of July to submit an abstract.

“Must be buff, charged with the emblem of the State, a pine tree proper, in the center, and the North Star, a mullet of 5 points, in blue in the upper corner; the star to be equidistant from the hoist and the upper border of the flag, the distance from the 2 borders to the center of the star being equal to about 1/4 of the hoist, this distance and the size of the star being proportionate to the size of the flag .”  The State of Maine is seeking design ideas before voters in November determine whether to adopt a new, more distinctive flag.

Picture this: A photographer wins an AI Image competition with a real photo. "I wanted to show that nature can still beat the machine and that there is still merit in real work from real creatives," said Digital Artist Miles Astray before he was disqualified. 

The American artist Kehinde Wiley—whose work he describes as “shedding light on the inequities Black and Brown people face in our society,”—has been accused of sexual misconduct. Wiley has denied the charges, but two museums have canceled upcoming exhibitions of his work.

In tandem with this exhibition (on view through the end of January 2025),  a new, five-episode podcast—hosted by British design critic and author Alice Rawsthorn—traces the evolution of Gae Aulenti through the voices of friends, curators, and a range of international architects.

The Los Angeles Design Festival is looking for new board members.

The Obama Foundation is looking for a new VP of Communications.



Jobs | June 28